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Let me honest say that I’m not particularly a Julia Roberts fan. So when my wife asked to go glance Notting Hill in the theater, I politely declined… but I figured that I’d give her a suprise and catch the DVD for her. Well, I sat and watched it with her, and was pleasantly suprised, myself!
Set in the real-life Notting Hill portion of London, this VERY fairy-tale yarn is filled with moments of moral belly-aching laughter, painful heartbreak, and one delectable “car fling.”
Julia Roberts portrays Anna Scott, a fifteen-million-dollar per report movie actress who gets tangled in the trappings of worship with William Thacker, a bumbling, but likeable book-shop owner convincingly played by Hugh Grant. Notting Hill wastes no time in setting up this premise and rockets off from there. The film moves along at a respectable plod and only has one noticible lifeless place. The music chosen to accompany the film is beyond perfect. Behold the camouflage closely when you hear “Ain’t No Sunshine” by Bill Withers.
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I would be remiss if I did not mention “Spike”. Rhys Ifans plays Spike, William’s very unusual, very Welsh flat mate. You can’t assist but laugh every time he’s on the veil. Luckily, the director and editor didn’t over-do Spike’s antics, so we can truly devour the moments when he’s on.
The Collector’s Edition goodies gain the DVD a correct gem and a sizable bargain. The musical highlights let you rapid jump into the middle of the movie to indulge in a song while watching the movie roll. (After you’ve watched the movie, go derive “Ain’t No Sunshine”!) The deleted scenes give a gawk of what could have happened in the film. After watching, I’d say that I agree with the director’s choice of endings.
This movie proves that romantic comedies can unruffled be done well… and you don’t have to have Tom Hanks and Meg Ryan to do it.
Hugh Grant’s role as Recede Book Shop employee William Thacker reprises the same disturbed, humble, lovable, but lonely character with a minute group of friends that made him a star in Four Weddings And A Funeral. That may be because Notting Hill, like FW&AF, was written by Richard Curtis. “And so it was another hopeless Wednesday when I walked a thousand yards to work, not suspecting that this was going to be the day my life would be changed forever.” In two words, that catalyst is Anna Scott, currently one of Hollywood’s biggest stars, who is promoting her latest film Helix, a sci-fi film whose costume develop and one interior setting owes a nod to Kubrick’s 2001. She happens in his bookshop, but that first meeting sets off a series of meetings where they consume time with each other.
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Eccentric barely describes Spike, his Welsh roommate with a shock of wild blond hair. Never have I seen a more silly opposites since Felix and Oscar of the Unfamiliar Couple. Spike is clearly the Oscar of the pair, but then again, I doubt if Oscar would have archaic a T-shirt saying, “Win It Here”, with an arrow pointing downwards, or unwittingly mistake mayonnaise for yogurt.
In the course of meeting Anna, he in turn introduces her to his petite group, including a married couple, Max and Belle, the latter in a wheelchair, a stockbroker named Bernie, and William’s wild-looking sister Honey, whose bulging eyes and feathery hair makes her nevertheless lovable in a different sort of diagram.
However, they live in two different worlds. As William puts it, “I live in Notting Hill, you live in Beverly Hills.” Both have different schedules, lifestyles, and perspectives on things. Yet his inner smile lights up whenever she pops in and spends some time with him. And applying a metaphor conventional, Anna is a goddess. “You know what happens to mortals who accumulate eager with the gods? ” That’s bad for William, who confides in Spike that it’s like “taking treasure heroin and I couldn’t have it again. I’ve opened Pandora’s Box and there’s pain inside.”
Anna is a typical box-office diagram who has to establish up with the tail side of the fame coin. The many boyfriends, the laying out of her private life in the tabloids, but also how she’s unable to live an ordinary life and how she has to save up with unkind words, as when she overhears a group of businessmen saying how actresses are equal to prostitutes and that she is the definitive actress. Ouch! But despite the fame, in the demolish, she’s “unprejudiced a girl asking a boy to worship her.”
The one pullback aerial shot that has the couple approaching the bench dedicated to a loved one, while Ronan Keating sings Keith Whitley’s “When You Say Nothing At All” was a perfect combination of vast camera work enhanced by a haunting fancy song.
Hugh Grant has another winning role and seems to have the knack of starring opposite tall female leads and being compatible. Be it Andie McDowell (Four Weddings) or Emma Thompson (Sense And Sensibility), he does himself and Julia Roberts stout credit. After seeing this at the theatre when it first came out, I sighed with relief that I finally found the most charming movie with Julia Roberts since Radiant Woman. All the actors portraying Williams’ cramped circle also lend stout back, but Rhys Ifan steals the indicate as the weird Spike. Those who liked Four Weddings will definitely go for Notting Hill, which has a tad more sweetness, like apricot and honey.
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